Stephen Graham Jones’s “The Only Good Indians” is a striking narrative that delves deep into the heart of Native American identity, tradition, and the haunting specters of guilt and revenge. The novel stands out for its unique blend of psychological horror and social commentary, wrapped in a story that is as profound as it is unsettling.

The story revolves around four Native American friends who, in their youth, partake in an ill-fated hunting expedition on land reserved for elders. This single act of youthful defiance sets off a chain of events that will haunt them for years to come. Central to this haunting is Lewis, one of the four, who becomes the primary target of a vengeful spirit, manifesting as… well, you’ll see. As the narrative unfolds, the past and present collide in a maelstrom of fear, violence, and the unrelenting grip of ancient traditions.

Jones’s writing style is a significant highlight of the novel. His straightforward prose and ability to craft dialogue that resonates with authenticity make the story not just readable but deeply immersive. The horror in “The Only Good Indians” isn’t just about the supernatural; it’s about the horror of past actions, the weight of cultural heritage, and the personal and communal consequences of breaking from tradition.

Another remarkable aspect is the novel’s deep dive into Blackfeet culture, offering readers an insightful view into the complexities and nuances of Native American life beyond stereotypes and simplistic portrayals. Jones, with great skill, navigates the delicate balance between reverence for traditional ways and the stark realities of contemporary life on the reservation.

Despite its many strengths, “The Only Good Indians” falters slightly in its climax (**SPOILER WARNGING**), particularly in the inclusion of a basketball game that pits a secondary character against the elk head woman. This scene, intended to be a high-stakes culmination of the novel’s building tension, comes off as somewhat cheesy and detracts from the otherwise meticulously built atmosphere of dread. The sudden shift to a sports scenario feels out of place and disrupts the dark, brooding narrative that Jones so expertly constructs throughout the book.

“The Only Good Indians” is a haunting tale that merges the everyday with the ethereal, the personal with the cultural. Stephen Graham Jones crafts a story that is not only a piece of horror but a poignant exploration of identity and the inescapable shadows of the past. While the climax certainly disappointed me, the journey there is filled with enough suspense, depth, and cultural insight to make this novel a compelling and thought-provoking read. Jones continues to cement his status as a master storyteller, capable of weaving complex narratives that challenge and engage his audience.

Saga Press
Published July 14, 2020